By: Anan Rahman – What sets apart Imogen Heap’s latest album Sparks beyond an ostensible collection of lush, post-modern pop songs is Heap’s truly panoramic breadth of vision. The album was painstakingly assembled over four years, featuring snippets of crowd-sourced audio bites, Bhutanese dranyens (when was the last time you heard that in a pop song?), and Heap’s … Continue reading →