By: Staff –
Silversun Pickups have announced the release of their fifth album, Widow’s Weeds, on June 7th via their own New Machine Recordings label. The band enlisted Butch Vig (Nirvana, Smashing Pumpkins, Sonic Youth) to produce their latest, an extroverted and open album about rebirth and renewal. Said lead singer Brian Aubert about Widow’s Weeds: “This was the first album where we were open. We were exposed. I see how that can be scary to people, but for us we really thrived on that.” Widow’s Weeds is now available to pre-order here, with lead single, “It Doesn’t Matter Why,” provided as an instant download.
The band also released a new music video for the album’s first single “It Doesn’t Matter Why”, which you can watch below.
Silversun Pickups have always considered their sonic density a source of pride, their four studio albums revealing additional sonic gifts with each subsequent spin, and their fifth album, Widow’s Weeds, is no exception. The band members were in agreement with the album’s starting point (the urgent synth-rocker “Neon Wound”) and closer (the aggressive, throttling “We Are Chameleons”). The band admitted that everything in between, including how the rest of Widow’s Weeds was sequenced and how the album unfolded, often surprised them.
To make sense of these ideas, Silversun Pickups enlisted producer Butch Vig. Vig and mixer Billy Bush helped Silversun Pickups craft a confident, unrestrained album in which every instrument is clearly audible in the mix. Cure-like keyboards hold their own against riffs on “Neon Wound” and the spring-loaded “It Doesn’t Matter Why.” In the end, recording with Vig surpassed the band members’ already-high expectations. “He really listens to each band member, and he puts a great value on each individual, and what they can add to the music,” Monninger says. “It was very collaborative with him. He’s such an easygoing person, and he put everybody at ease.”
During this time, the band members were wrestling with challenges in their personal lives. Lester’s father passed away. Aubert, meanwhile, found himself in an extremely dark place, for reasons he couldn’t immediately explain. “I didn’t know how to get out of it,” Aubert says. “Finally, I was just like, something big has to happen.” His solution was getting treatment and getting sober during the gap between recording sessions—a decision that immediately improved his mental health and creative outlook.” The record does have a mourning vibe, but it’s not sad,” he says. “It’s change. It’s growing up and moving on and letting go of things. And it’s okay to be sad about those things and mourn them. It’s actually healthy to do so and take the time to do it. At the end of the day, it’s going to be much better and much more fulfilling when you get through it.”
Widow’s Weeds ends up being about rebirth and renewal. For Aubert, moving forward involves staying connected to his own self (and remembering to prioritize self-care) and being attuned to creative impulses when they arise. If that means going outside of his comfort zone, so be it,” Aubert says. “This album feels the most naked out of all of them.”
Widow’s Weeds tracklisting:
1. Neon Wound
2. It Doesn’t Matter Why
4. Don’t Know Yet
5. Straw Man
6. Bag Of Bones
7. Widow’s Weeds
10. We Are Chameleons